Looking to start over and leave their troubled lives behind, twin brothers Smoke and Stack return to their hometown – to discover a horrifying evil has arrived. A powerful, brilliantly-executed story that subverts genres, from director Ryan Coogler.
Joe Harris
Our Favourite Places would be nothing without our contributors — a massive thanks to all of them!
Tell us about you...
I'm Joe. I like films and vinyl.
I'm the co-founder of Reel Steel – a film magazine and screening event group, based in Sheffield. You may have been to one of our screening events at Sheffield's historic Abbeydale Picture House, where we've shown everything from cult 80s horror to Studio Ghibli on 35mm.
What does Sheffield mean to you?
Sheffield is a great example of the 'independent' spirit.
It's full of people who have gone out and done things for themselves – opening a new bar or a record store, creating a film screening or music event. The cultural landscape of the city is full of so many independent traders and events and it's all the better for it.
It really is a city of makers.
What's your favourite Sheffield place?
The Abbeydale Picture House.
What would you do to improve the city?
Let me think about that one...
Latest contributions
Cottontail
Mon. 5 May 2025 — Thu. 8 May 2025
Showroom
After the death of his wife Akiko, Kenzaburo and son Toshi receive an unexpected request to scatter her ashes at a place she loved as a child: Lake Windermere. From Tokyo to the Lake District, Cottontail is a portrait of love, acceptance and loss.
The Surfer
Mon. 5 May 2025 — Thu. 15 May 2025
A father returns from the US to the idyllic beach of his childhood in Australia to surf with his son, only to be humiliated by locals and drawn into a conflict. A psychological thriller that sees a return of the "Cage rage" of such films as Mandy.
The Phoenician Scheme
Zsa-zsa Korda, one of the richest men in Europe, has survived his sixth plane crash and appoints his nun daughter Liesl as heir to his estate. But surviving assassination attempts soon becomes the most pressing matter, in Wes Anderson's latest film.